Gallery: Sendesaal Recordings, Sendesaal, Bremen


Revitalising one of the finest acoustics in the world, ELISION Ensemble is engaged in making ground-breaking recordings of music by Aaron Cassidy, Klaus Hübler, Evan Johnson, Liza Lim and Roger Redgate.


08–09.09.09 BREMEN, GERMANY 


Sendesaal, Bürgermeister-Spitta-Allee 45, D-28329

ELISION Soloists


> ELISION Artists-in-residence at CeReNeM, University of Huddersfield (2009-10)


Tristram Williams | trumpet, flügelhorn

Benjamin Marks | trombone

Marita Emigholz | producer

Renate Wolter-Seevers | recording supervisor

Daryl Buckley | artistic director+co-supervisor (works by Hübler and Lim)

Aaron Cassidy | composer+co-supervisor (works by Cassidy and Johnson)

Gisela Kniemeyer | sound engineer

Christine Potschkat | recording assistant


Aaron Cassidysongs only as sad as their listener (2006) for trombone with wispa mute

Aaron CassidyWhat then renders these forces visible is a strange smile (or, First Study for Figures at the Base of a Crucifixion) (2008) for solo trumpet

Klaus Hübler • Cercar (1983) for solo trombone

Evan Johnson • Apostrophe 2 (pressing down on my sternum) (2009) for quarter-tone flügelhorn and alto trombone

Liza LimWild Winged One (2007) for solo trumpet


www.sendesaal-bremen.de


21–23.09.09 BREMEN, GERMANY 


Sendesaal, Bürgermeister-Spitta-Allee 45, D-28329

ELISION Soloists


> ELISION Artists-in-residence at CeReNeM, University of Huddersfield (2009-10)


Peter Veale | musette, oboe, cor anglais

Carl Rosman | bass clarinet, voice

Richard Haynes | E-flat clarinet, B-flat clarinet, bass clarinet, soprano saxophone

Marita Emigholz | producer

Hein Laabs | recording supervisor

Daryl Buckley | artistic director+co-supervisor (work by Redgate)

Aaron Cassidy | composer+co-supervisor (works by Cassidy and Johnson)

Gisela Kniemeyer | sound engineer

Christine Potschkat | recording assistant


Aaron CassidyI, purples, spat blood, laugh of beautiful lips (2003-2006) for voice and live computer-generated pitch material

Aaron CassidyBeing itself a catastrophe, the diagram must not create a catastrophe (or, Third Study for Figures at the Base of a Crucifixion) (2009) for musette/oboe/cor anglais and E-flat/B-flat/bass clarinets

Aaron CassidyMetallic Dust (1999) for amplified bass clarinet

Aaron Cassidyasphyxia (2000) for soprano saxophone

Evan Johnson • Apostrophe 1 (or all communication is a form of complaint) (2008) for two bass clarinets

Roger Redgate • Ausgangspunkte (1982) for solo oboe


www.sendesaal-bremen.de


Photography by Charly Plinke




flügelhorn




flügelhorn bell




flügelhorn valves




trombone




trombone and wispa mute




trombone bell




Sendesaal stalls




Carl Rosman | bass clarinet




Richard Haynes | soprano saxophone




Score: asphyxia • Aaron Cassidy




Daryl Buckley | ELISION Artistic DirectorCarl Rosman




Aaron Cassidy | composer • Hein Laabs | producer • Daryl Buckley | ELISION Artistic Director




Carl Rosman | voice




Aaron Cassidy | composerCarl Rosman | voice




Aaron Cassidy | composer




Carl Rosman | voice




Peter Veale | oboe




Peter Veale | oboe




Richard Haynes | bass clarinet




Richard Haynes | clarinet in E-flat • Peter Veale | musette in F




Richard Haynes | clarinet in E-flat • Peter Veale | musette in F


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